Self-Introduction Essay Writing Guide: How to Guide + Samples
A self-introduction essay briefly describes you as a person's personality, achievements and belief system. Here is everything you need to know about it.
Read MoreAn observation essay asks you to watch a real place, person or event closely and then explain what your observations mean. The watching is the easy part. The hard part is getting from a page of scribbled notes to an essay with a point, along with the questions most guides skip: Can you write about strangers without asking them? Which tense do you use? How many paragraphs should it have?
This guide follows the process university writing centers teach. You'll plan a question, take field notes that keep what you saw separate from what you think it means, observe people ethically, build an outline and turn your notes into a thesis. Near the end, a worked example takes one hour of field notes all the way to a finished body paragraph.
An observation essay is an essay built on your own firsthand watching of people, places or events, used to support a claim about what you saw. An Auburn University observation essay assignment puts it this way: "an essay that draws on the writer's observations of people, places, and/or events to support the writer's claims about what these observations mean." The same sheet tells students to "make a point, not just give a play-by-play of your observations."
That last line is where most weak essays fall down. A list of what happened, in order, is a log. Your reader should finish the essay knowing something about the setting or the people in it that they would not have noticed on their own.
The two names overlap, but instructors often mean different things by them. In a composition course, an observation essay leans descriptive and reflective. In sociology, psychology, education or communication, an observation paper is closer to a small research report. The writing centre at Simon Fraser University describes that version as three processes: you take field notes, interpret them "according to relevant criteria," and write a paper that presents both, "usually with the aim of answering a research question" (SFU Student Learning Commons guide to observation papers).
| Observation essay (composition) | Observation paper (social sciences) | |
|---|---|---|
| Main goal | Show what a place or event means through accurate, vivid detail | Answer a research question with systematic notes |
| Thesis | A claim about the significance of what you saw | An answer, often tentative, to your question |
| Detail | Concrete and sensory, carefully selected | Concrete, counted or timed where possible, tied to course concepts |
| Structure | Introduction, body, conclusion | Same, often with informative headings |
| Format | Whatever the syllabus names, often MLA | Whatever the syllabus names, often APA |
Most assignments sit somewhere in between. Words like "research question," "methods" or "course concepts" in the prompt point toward the paper; "describe," "reflect" or "significance" point toward the essay. The method below works for both.
Choose a setting where something actually happens, where you can stay for about an hour, and where you can take notes without disrupting anyone. Then write one question to guide what you look for. SFU's guide recommends organizing the whole paper around a research question because the question "will not only guide your observations but help you to interpret and organize them for your paper."
| Setting | A question worth asking | Privacy level |
|---|---|---|
| Campus food court at lunch | How do students eating alone use phones, books or laptops? | Public |
| Bus stop or train platform | How do strangers manage personal space while they wait? | Public |
| Library study floor | How are noise rules enforced when nobody in charge is present? | Public |
| Farmers' market | How do vendors draw in people who are only browsing? | Public |
| A class you aren't enrolled in | Who speaks, how often and after what kind of prompt? | Private: ask the instructor first |
| Preschool or daycare room | How do three-year-olds join a group that is already playing? | Private: arranged through the center or your course |
Purdue's Online Writing Lab adds two decisions to make before you arrive (Purdue OWL on observing). First, decide how much you will take part: sit and watch, talk with people, or join in. Your presence alone can change what people do, and interacting adds to that risk. Second, decide what you will focus on, "because you can't focus on everything!" If you are observing a group that doesn't meet in public, the OWL suggests planning several sittings so the group can get used to you. Even in public places, a second visit at a different time shows whether a pattern holds or was a one-off.
You can generally observe people in genuinely public places without asking, but private settings need consent, and nobody you write about should be identifiable.
Dana Lynn Driscoll's chapter on primary research in Writing Spaces, an open composition textbook, draws the line clearly. In places people perceive as public, "such as a campus food court or a shopping mall," people don't expect privacy, so "it is generally acceptable to observe without participant consent." In places people perceive as private, which she says "can include a church, home, classroom, or even an intimate conversation at a restaurant," you should seek consent (Driscoll, "Introduction to Primary Research," Writing Spaces).
The federal human-subjects rule offers a useful test. It defines private information as including behavior "that occurs in a context in which an individual can reasonably expect that no observation or recording is taking place" (45 CFR 46.102). Treat restrooms, locker rooms, support-group meetings and clinic waiting rooms as off-limits unless your course has arranged access.
Usually not, but it depends on what happens to your data. The same federal rule defines research as "a systematic investigation, including research development, testing, and evaluation, designed to develop or contribute to generalizable knowledge." A one-off class assignment usually doesn't meet that definition. The University of Alabama's guidance on class assignments, for instance, says IRB review is not required for projects done only to meet course requirements, provided results are not shared outside the institution. Driscoll adds that students who skip the IRB "still need to ensure that they follow ethical guidelines." If you might present or publish your findings later, ask your instructor about your school's IRB before you collect anything.
Good field notes record what you saw and heard in plain, checkable terms and keep your guesses about meaning in a separate place. USC Libraries' guide to writing field notes splits them into descriptive information, where you "accurately document factual data," and reflective information, where you record your "thoughts, ideas, questions, and concerns." Keep both, but never blend them.
A double-entry notebook is the simplest way to keep description and interpretation apart. Both Purdue OWL and Driscoll recommend it: one column holds what you directly observed, the other holds what you think it means. Purdue's own example pairs "The teacher walks around the circle and speaks to each student individually" with the interpretation that the teacher "seems to want to make sure that each student understands the assignment."
The hard part is catching interpretations that sneak into the observation column:
| Interpretation posing as observation | Observation you can defend |
|---|---|
| The café was packed and chaotic. | 0818: all 14 tables taken, 9 people in line, music audible from the counter. |
| He was clearly annoyed. | 0820: he exhaled loudly, checked his phone twice and left the line without ordering. |
| Students here ignore each other. | 0805: 6 of the 9 occupied tables have one person each; 4 of those 6 wear earbuds. |
| The barista knows all the regulars. | Barista said "Same as yesterday?" to 3 customers in 10 minutes. |
Auburn's tips give a quick test for any line in your notes: ask yourself "How do I know this?" If the answer isn't "It's exactly what I saw and heard," move the line to the reflection column.
| Section | What goes in it |
|---|---|
| Header | Date, site, start time (24-hour), conditions, where you sat |
| Map | Rough sketch of the layout, entrances and your position |
| Timed entries | Time stamp, what you saw or heard, and a reflection column |
| Tallies | Counts tied to your question |
| Not seen | Behaviors you expected that never happened |
| My impact | Who noticed you and how you may have changed the scene |
| Close | "Observations ended at" and the time |
Your thesis is a one-sentence answer to the question you brought into the field, limited to what your notes can support. To get there, work through your notes in order.
Compare three versions of the same thesis:
For more on sharpening a claim, see our guide on how to write a thesis statement.
Use three parts: an introduction that sets the scene and states your thesis, body paragraphs grouped by time, place or theme, and a conclusion that returns to your question. SFU's guide spells out each part. The introduction gives an overview of the space and poses your question. In the body, paragraph breaks should signal shifts in time, place, behavior or aspect of the question, with one central "thread" per paragraph. The conclusion asks whether your observations answered the question, why or why not, and what that tells us.
Here is an observation essay outline you can fill in:
| Pattern | Best when | Watch out for |
|---|---|---|
| Chronological | Events build over time, like a rush hour or a game | Sliding into a play-by-play |
| Spatial | The layout drives behavior, like zones of a library | Describing furniture instead of people |
| Thematic | You found two or three distinct patterns | Losing the reader's sense of place |
Don't force five paragraphs. Length comes from the assignment sheet, and it varies; the Auburn assignment above asked for three to four double-spaced pages. If your prompt is closer to a pure description, our descriptive essay outline guide shows how to shape the body around a dominant impression instead.
Write in the first person, keep your tense consistent and let concrete detail do the persuading.
SFU's guide explains that you are part of the scene, and your presence may even affect it, so you should use the first person. Its distinction is useful: "I observed four students at one table all laughing together" uses "I" redundantly, while "I felt uncomfortable standing so close to the other people at the bar" uses it as part of the experience. If your prompt calls the assignment a formal report, confirm with your instructor before switching to third person.
Many guides say an observation essay must be in the present tense. SFU is more precise: your observations can be in present or past tense as long as you stay consistent, but your interpretations and analysis belong in the present tense. "The man stood at the counter" (observation, past) pairs naturally with "The bags work as a soft claim" (interpretation, present).
Auburn's tips ask students to record even minor details, "including sights, sounds, and even smells," because those details are what let you show instead of tell. SFU adds three plain-style habits: keep nouns and verbs close together, replace weak forms of "to be" with concrete verbs and use the active voice. One limit matters here. Use only sensory details that are in your notes. A smell you add later for atmosphere is invented evidence.
If your instructor wants the piece to read more like a story, our guide on how to write a narrative essay covers scene and pacing. For APA formatting, headings and citations in a social science observation paper, see our APA style guide.
The example below is illustrative, written for this guide to show each step. The setting is a student union café during a one-hour morning rush, and the question is "How do people find a seat when the café looks full?"
Header: 06 OCT, student union café, ground floor. Start 0800. Raining; windows fogged. I sat on a stool at the window counter facing the room. 14 tables, 31 chairs.
| Time | Observed | Reflection |
|---|---|---|
| 0805 | 9 tables occupied, 6 of them by one person. Bags or coats on 5 empty chairs. | Holding seats for friends, or just storage? |
| 0818 | All 14 tables occupied. Line at 9 people. 11 chairs empty; 7 of those have a bag or coat on them. | The room looks full before the chairs are. |
| 0823 | Man with a tray stops 2 m inside the door, turns his head left and right, walks to the window counter and eats standing. | Did the bags read as "taken" to him? |
| 0831 | Woman with a laptop to student at a four-seat table: "Is someone sitting here?" He moves his backpack to the floor: "Go ahead." Neither speaks again before 0850. | Asking works. Sharing a table doesn't mean talking. |
| 0840 | Tally since 0815: 10 people scanned the room for a seat. 3 asked to share; all 3 got a chair. 7 did not ask; 5 went to the window counter, 2 left. | Possible thesis: the bag is a soft claim. |
| 0852 | 6 people leave within 3 minutes. 2 of the bags on chairs leave with their owners. | Rush may track class start times. Check the schedule. |
| 0900 | Observations ended at 0900. |
Not seen: No one moved another person's bag without asking. Staff never directed anyone to a seat. My impact: I took one counter stool, which may have pushed one person to stand.
"During the morning rush in the student union café, a bag on an empty chair works as a soft claim: it gives way the moment someone asks, yet most people looking for a seat never ask."
At 0818 on a rainy morning, every table in the student union café had someone at it, yet eleven chairs sat empty. Seven of them held a backpack or a coat. I spent an hour on a stool at the window counter, watching how people found seats when the room looked full. What I saw suggests that a bag on a chair works as a soft claim rather than a firm one: it gives way the moment someone asks, yet most people looking for a seat never ask.
Asking for a seat worked every time I saw someone try. Between 0815 and 0840, ten people scanned the room for a seat. Three of them asked someone at a partly empty table whether a seat was free, and all three got one. At 0831, a woman carrying a laptop asked a student at a four-seat table, "Is someone sitting here?" He moved his backpack to the floor and said, "Go ahead." The other seven never asked. Five went to the window counter instead, and two left. Because every request succeeded, the bags do not seem to mean "this seat is taken" to the people who leave them. They seem to mean it only to the people who arrive. One hour on one morning cannot show whether this holds all semester, but it suggests the café has more open seating than it appears to.
A conclusion for this essay would return to the question, note that the café's seating problem may be partly a signaling problem, and suggest what to watch next, such as whether the pattern holds at lunch.
Check your draft for these common problems.
Last check: your introduction names the setting, time and vantage point, your thesis answers your question, every body paragraph has timed or counted evidence, and your conclusion says why the answer matters.
Want a second reader? A tutor can review your field notes or draft, show you where the interpretation runs ahead of the evidence and explain how to tighten your thesis. Request feedback on your draft, or if your course calls for a longer field study, see our ethnography paper help.
An observation paper is a short research report built on your own firsthand observation of a setting, usually for a social science, education or communication course. You take field notes, interpret them against course concepts or a research question, and write up both. It differs from a composition observation essay mainly in emphasis: the paper answers a question systematically, while the essay leans more on description and what the scene means to you.
Usually not in genuinely public places. Dana Lynn Driscoll's Writing Spaces chapter says observing without consent is generally acceptable where people don't expect privacy, such as a food court or shopping mall. Private settings, including homes, places of worship, classrooms and intimate conversations, call for consent. Arrange observations of children through the teacher or center. In every setting, use pseudonyms and leave out identifying details.
Usually, yes. Simon Fraser University's writing centre notes that you are part of the scene and must reflect on your own observing, which calls for the first person. Use "I" where it adds something, such as your vantage point or your effect on the scene, rather than opening every sentence with "I observed." If the assignment is framed as a formal report, ask your instructor whether third person is expected.
Choose present or past tense for your observations and keep it consistent. SFU's guide allows either one, as long as it stays the same throughout. Your interpretations and analysis should be in the present tense, as in "The bags work as a soft claim." The popular rule that observation essays must always be in the present tense is a style preference, so follow your instructor if they name one.
There is no standard length, so your assignment sheet decides. One Auburn University observation assignment, for example, asked for three to four double-spaced pages. Let your evidence set the number of body paragraphs instead of forcing a five-paragraph shape. If you found two strong patterns, write two strong paragraphs rather than padding a third with weaker material.
Plan at least one full session of about an hour, and two if you can. A second visit at a different time shows whether a pattern holds or was a one-off. Purdue OWL suggests several sittings when you observe a group that doesn't meet in public, so the group has time to get used to you. Expand your notes the same day either way.
An observation statement records only what you could see or hear, such as "At 0823 a man with a tray turned his head left and right, then ate standing at the counter." Compare "He couldn't find a seat and gave up," which is an inference. Auburn's guidelines suggest a test: ask "How do I know this?" and keep the statement only if you saw or heard it directly.
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